A three-week series of book arts classes that will include making our own book cloth & decorative paste papers. Covering book boards with our fabrics, binding our books and casing them into the covers. All while we learn the basics of book binding tools & vocabulary. Tools & materials provided. *A material fee of $20 should be paid to the instructor on the first night. **Snow Date: 1/28.

You will work from a live (clothed) model, starting with shorter gesture poses to loosen up, followed by longer poses. There is no better way to learn to draw the human form than to work with a live model. This is not a media dependent class. You may work with any media you prefer. The instructor will supply paper and pencils, conté crayons or charcoal, or you can bring your own. The instructor recommends an easel, but only has 3 or 4 for use. In addition to the registration fee, you will be expected to tip the model at the end of each class (all models accept cash or Venmo). Contact Ed Higgins directly with any questions ed_higgins@icloud.com.

Soapstone is a beautiful material, very forgiving, easy and satisfying to carve and polish, and gets artists thinking about subtractive process sculpture. You will start with small forms (which make wonderful gifts, by the way) and by the end of the course, you may be able to move toward larger work. The instructor Ed Higgins calls soapstone a gateway stone which perhaps one day will inspire you to carve marble! Soapstone will be available to students and some carving tools will be available for use, but you may want to assemble some of your own tools. Contact Ed Higgins directly with any questions ed_higgins@icloud.com.

If you’ve never tried to work non-objectively, you’ll find that it helps you learn important lessons that will serve you well in any of your future artistic endeavors. It helps you cure the dreaded fussies, as well as getting you to think more deeply about color, brushwork, and composition. This class combines an introductory studio course with an art appreciation talk. Every studio class will end with a short presentation spotlighting some of the great abstract painters of the modern era. If you’ve ever looked at abstract art and said to yourself “I could do that!” Here’s your chance to give it a try. There is no set materials list for this class. The instructor will be able to supply enough materials to get you started, but eventually you will develop your own projects and media preferences. Contact Ed Higgins directly with any questions ed_higgins@icloud.com.

This one-night workshop is designed to introduce students to the corresponding course, FLOW 2: Intermediate + Advanced Watercolor. Though this workshop is not a prerequisite for the course, it is an opportunity to meet the instructor and preview lesson plans before committing to the full course.

Beautiful objects are created in this class every semester by beginners. You can create a stained glass window or lampshade using the copper-foil technique. Learn acid etching and drilling. This is a fun and rewarding course. A complete list of materials will be discussed on the first night of class. The cost of materials is not included in the course fee and can vary depending on choice of glass and what your imagination will create. Note: You will also need to purchase your own tools, which can run between $45-$95. *No Class: 10/12, 1/18, 2/15. **Snow Date: 3/22.

Have you already taken Stained Glass for Beginners with Penny? Are you looking to continue working on your stain glass project or start a new one? Then this studio class is for you! Come join Penny to freshen up your skills, learn new advanced skills, build in 3D, and explore other possibilities. Bring your own tools and glass. *No Class: 2/16 (Winter Session). **Snow Date: 3/16 (Winter Session).

Working with gouache is a fast, easy way to do studies for larger paintings, helping you with color relationships and composition, but you’ll also find that adding your notes and thoughts turns your gouache journal itself into a work of art. Gouache paint is similar to watercolor, but it is modified to make it opaque. Gouache can be rewetted and dried to a matte finish, and the paint can become infused into its paper support, like watercolor. Contact Ed Higgins directly with any questions ed_higgins@icloud.com.